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Mia Seppälä: The Epistemic Framing – Idealistic Tendency
The Epistemic Framing - Idealistic Tendency / 2018 Liisankatu 8c Helsinki - Rome 2019.
This work began in my studio on Liisankatu, where I built an installation called Epistemic framing on the Open Day. It was about a topic that I had been interested in for a long time, about the value of art and the value of authorship over the work itself.
Theodor Adorno speaks of the dual nature of art as autonomous and fait social, which is constantly manifested in the dependencies and conflicts of these areas. He also uses the term neutralization, which means that even the most radical and inane objects can be used as a wall decoration for new well-being.
This work began in my studio on Liisankatu, where I built an installation called Epistemic framing on the Open Day. It was about a topic that I had been interested in for a long time, about the value of art and the value of authorship over the work itself.
Theodor Adorno speaks of the dual nature of art as autonomous and fait social, which is constantly manifested in the dependencies and conflicts of these areas. He also uses the term neutralization, which means that even the most radical and inane objects can be used as a wall decoration for new well-being.
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