As a textile artist and designer, I am interested in drawing parallels between art, craft, and industrial products, and in the dialogue that emerges between them.
I find inspiration in juxtaposing the new and the old, the broken and the whole — also in an immaterial sense. Art and design feed one another; art liberates, design structures.
Through fragmentation, I aim to express something deeper, to speak of contradictions as well. I construct a kind of inner landscape from the relationships and fragments between parts of a piece — one that opens up meanings and moods.
Arte Povera ("poor art") has long been a guiding light for me, and I also relate “rough art” to my design practice.