I mainly work with color woodcuts, but sometimes with monotype and lino cut techniques as well. I like to use a lot of colors, which I print as thick layers rendering one wood-plate printing technique. I don't destroy old plates, because after many years I may use them again as a part of some new work. I print unique works or at least very small editions. In this way, I don't get bored of the monotonous stages of printing. I print variations of the same theme - usually one of them goes to an exhibition and the rest to the store.
Woodcut as a technique has come natural to me because I have been living in many places and working in many studios where it wasn't possible to use a printing press. That's why I always print my works by hand.
I get subjects for my prints from nature and nature observations. In my prints nature manifests its abstract, ornamental color and form world.