Merja Salonen Di Giorgio
Basic information
b. 1973, Tampere
Visual Artist, Painter
Residence: Helsinki
Contact information
Email: mail(at)merjasdg.net
Artist’s Statement
I have a great interest of traces of human life in cultural environment, athmosphere of place, ´genius loci´, and layers of history. Also the idea of Grand Tour is fascinating. -Where was the point at which the exotic became homely and homely became exotic?
For the past 20 years, I have been living between the Finnish and the Italian culture. That influences my approach greatly. I am in both of them simultaneously and I if I wish, I can observe their phenomena as an outsider, too.
During the painting process, I find it important to be open and give space for the ´speechless´ so that the invisible can come visible in the work. As main techniques I use oil on canvas and mixed media on paper. The historical materials and techniques are important and I use them with a new twist. The material becomes an issue per se and gives another conceptual layer to the body of work.
I have also realised commissioned environmental pieces in Helsinki: the Garden and the Piers. In Finnish Painters´Union I have ordinary membership. Among other collections, my work is found in the collections of the City of Helsinki And the Lahti Art Museum.
For more, see: www.merjasdg.net
For the past 20 years, I have been living between the Finnish and the Italian culture. That influences my approach greatly. I am in both of them simultaneously and I if I wish, I can observe their phenomena as an outsider, too.
During the painting process, I find it important to be open and give space for the ´speechless´ so that the invisible can come visible in the work. As main techniques I use oil on canvas and mixed media on paper. The historical materials and techniques are important and I use them with a new twist. The material becomes an issue per se and gives another conceptual layer to the body of work.
I have also realised commissioned environmental pieces in Helsinki: the Garden and the Piers. In Finnish Painters´Union I have ordinary membership. Among other collections, my work is found in the collections of the City of Helsinki And the Lahti Art Museum.
For more, see: www.merjasdg.net
Current information
See also:www.merjasdg.net
IG @merjasalonendigiorgio
ongoing:
Paintings available at eko beauty salon Terra Te Amo, Albertinkatu 17, Helsinki March 19th - June 19th 2014.
upcoming:
URBANA HORTUS, May 8th. - 26th, 2024, Helsinki Artists´Association collective exhibition in Ahjo, Joensuu. Opening on May 7th 2024.
Luovuus ITÄä, June 12th - August 18th 2024. Taidekortteli ry / Art Block Group Exhibition at Stoa Culture Center, Itäkeskus, Helsinki.
Meet the artists on August 15th 2024.
Past:
March 8th - 17th 2024 at the Cable Factory, HelsinkiKaapelitehdas, Merikaapelihalli
Tallberginkatu 1 c, 00180 Helsinki
Taidekortteli / Art Block
Christmas event Dec. 9th 11am - 5 pm
Levytie 2-4 and Laippatie 21, Helsinki
https://taidekortteli.fi/taidekorttelin-joulumyyjaiset-9-12-2023-klo-11-17/
There is everything and more.
You will find me at Levytie 2-4 on Dec 9th 2pm-5pm. From me you can buy paintings and art books.
Helsinki Artists´Association has in their Art Lending space next to the Rikhardinkatu Library, Helsinki an ehibition ´Siirappia` - ´Syrup´ from Dec. 14 2023 to Jan 14th 2024.
I partecipate with Aria dolce a Natale, oil on canvas, 2022.
Welcome!
https://taidelainaamo.fi/public/go.php?action=artist&artist_id=105717
The book Roihupelto - Pompeii (PARVS) was published in May 2023
https://parvs.fi/kirjat/roihupelto-pompeji/
Merja Salonen Di Giorgio is a painter who explores the layeredness of history and the traces left by humans in our cultural heritage. Roihupelto–Pompeii is a series of paintings featuring two places that hold personal significance for the artist: a 1970s semi-industrial precinct in east Helsinki and the ancient city of Pompeii on the slopes of Mt. Vesuvius. The paintings were inspired by the dialogue emerging between these two places which, upon closer examination, have surprisingly much in common. Salonen Di Giorgio examines her theme through the lens of loss, from a future perspective – looking back after irreversible change and destruction have already occurred. The text is authored by architect and visual artist Anu Kaisa Koponen, who reflects on the connections between the paintings and architecture. Her essay is accompanied by art historian Synnöve Malmström's interview with the artist, which takes an in-depth look at how the paintings came into being.
article about the exhibition and the book Roihupelto-Pompei by Hannele Salminen (in Finnish):
http://kirjasta-kirjaan.blogspot.com/2023/05/merja-salonen-di-giorgio-roihupelto.html